Horror factory Blumhouse churns out another genre flick helmed by Jeff Wadlow – the director behind Blumhouse’s Truth or Dare and Fantasy Island – with Imaginary. Unfortunately, Imaginary feels like… Read more Imaginary Review: Blumhouse’s latest wastes its potential and your time →
With her Oscar-winning feature directorial debut, Promising Young Woman, writer/director Emerald Fennell established herself as a fearless filmmaker as she mixed enticing thrills with gut-wrenchingly real subject matter. Now with… Read more Saltburn Review: Fennell’s latest is a lavish and surprisingly sinister must-watch →
Writer/director Eli Roth became a horror icon when he showcased his sickening vision of gore and brutality through films like Cabin Fever, the Hostel films, and The Green Inferno. Now,… Read more Thanksgiving Review: Roth returns to his gory roots for a very good time →
It’s been a long journey for the Five Nights at Freddy’s movie – from the rights changing studios to years of silence on the project’s development. Now though, the time… Read more Five Nights at Freddy’s Review →
After trying its hand at a few reboots, the Saw franchise finally has a strong reentry into the horror genre with Saw X – which takes the franchise’s gory goods… Read more Saw X Review: Jigsaw is back, better, and bloodier than ever →
While audiences have been beaten to death with Dracula adaptations over the years, director Andre Ovredal brings the Count back to his horror roots with The Last Voyage of the… Read more The Last Voyage of the Demeter Review →
While The Nun was far from being a beloved entry in The Conjuring Universe largely because of its overreliance on usual franchise trappings and struggles to deliver memorable scares, the… Read more The Nun II Review: A subpar and unscary sequel →
The Equalizer franchise returns with its third and final entry – where director Antoine Fuqua and Denzel Washington deliver enough charm and jaw-dropping brutality to not only overshadow some of… Read more The Equalizer 3 Review: Fuqua and Washington deliver a trilogy-ender that’s easy to love →
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