After delivering a daunting war-epic with his 2022 adaptation of All Quiet on the Western Front, director Edward Berger dishes out another viable Best Picture contender with Conclave. This time… Read more Conclave Review: An unexpected crowd-pleaser full of Oscar-worthy talent →
Although Blumhouse has delivered some highly talked about original horror films over the last few years – including M3GAN, Freaky, and more – they’ve been bizarrely silent about their latest… Read more Afraid Review: An okay AI horror-thriller from Blumhouse →
In an ever-growing sea of indie horror-thrillers, writer/director JT Mollner crafts something totally unique with his sophomore feature, Strange Darling, by setting up an engrossing cat and mouse game that… Read more Strange Darling Review: Moller’s latest is unpredictable as hell →
In a weird way, there was a lot of pressure on Alien: Romulus to “right the ship” in multiple ways. Not only did Alien fans need some satisfying course correction… Read more Alien: Romulus Review: A return to roots that comes with some baggage →
No recent film – maybe aside from Madame Web – embodies the term “development hell” better than The Crow. Seriously, the history of directors, writers, and actors attached to this… Read more The Crow Review: Completely succumbs to its development hell →
Ever since its screening at this year’s South by Southwest, writer/director Tilman Singer’s sophomore feature Cuckoo has been heavily labeled as a batshit insane, must-see horror flick. Now that it’s… Read more Cuckoo Review →
Horror factory Blumhouse churns out another genre flick helmed by Jeff Wadlow – the director behind Blumhouse’s Truth or Dare and Fantasy Island – with Imaginary. Unfortunately, Imaginary feels like… Read more Imaginary Review: Blumhouse’s latest wastes its potential and your time →
With her Oscar-winning feature directorial debut, Promising Young Woman, writer/director Emerald Fennell established herself as a fearless filmmaker as she mixed enticing thrills with gut-wrenchingly real subject matter. Now with… Read more Saltburn Review: Fennell’s latest is a lavish and surprisingly sinister must-watch →
Mooreviews 