*This Review Contains Full Spoilers* On this week’s episode of HBO’s The Undoing, See No Evil, Haley (Noma Dumezweni) begins to shape the narrative for Jonathan’s (Hugh Grant) case as… Read more HBO’s The Undoing: See No Evil (Episode 4) Review →
Played On: PS5 Difficulty: N/A When the small, but largely ambitious game studio Young Horses broke onto the game scene back in 2014 with Octodad: Dadliest Catch, their quirky humor… Read more Bugsnax Review: An ambitious adventure full of strange characters and a lot of heart →
Played On: PlayStation 5 Difficulty: N/A Pack-in games, games that are bundled with new consoles or new accessories, were once something kind of special since the games were a pretty… Read more Astro’s Playroom Review: A beautiful nod to PlayStation’s history that shows the DualSense’s innovative potential →
*This Review Contains Full Spoilers* On the season finale of AMC’s Soulmates, The (Power) Ballad of Caitlin Jones, we watch as the test’s newest match has a timid young woman… Read more AMC’s Soulmates: Season Finale Review →
Writer/director Remi Weekes’ feature debut, His House, is a compelling refugee horror story that battles a haunting past and a conflicting culture shift. The film follows Bol (Sope Dirisu) and… Read more His House Review: Neftlix’s most compelling and scariest horror movie yet →
*This Review Contains Full Spoilers* On this week’s episode of HBO’s The Undoing, Do No Harm, Grace (Nicole Kidman) attempts to learn more about Jonathan’s (Hugh Grant) trouble at work… Read more HBO’s The Undoing: Do No Harm (Episode 3) Review →
The latest horror feature from writer/director Bryan Bertino, the man behind modern horror masterpiece The Strangers, is a perfect showcasing of his talents for creating dark and brooding horror. The… Read more The Dark and the Wicked Review: The scariest and most visceral horror film of the year →
Back in my first film class I took in high school, we did a whole section on the films by Alfred Hitchcock and while Strangers on a Train became a… Read more Rebecca (2020) Review: A pointless, bland retread →
