After Universal stumbled in bringing their classic monsters to big screen for their own Dark Universe, all eyes were on writer/director Leigh Whannell’s adaptation of the iconic Invisible Man to… Read more The Invisible Man Review: Whannell’s take on the titular horror icon is a modern psychological horror masterpiece →
When it was announced earlier this year that Blumhouse was not only making a remake of Bob Clark’s horror classic Black Christmas, but having it come out right in time… Read more Black Christmas Review: A lump of coal that doesn’t put you in the Christmas spirit →
With an intriguing premise and standout performances, BH Tilt lets loose another strong hit for Blumhouse with the release of writer/director Jacob Estes’ Don’t Let Go. The film follows Jack… Read more Don’t Let Go Review: A mind-bending new entry from BH Tilt →
While there have been plenty of stalker flicks within the last couple of years, this year alone has had films like Greta and The Intruder, Blumhouse has just dropped one… Read more Ma Review: Familiar story beats mixed with fresh performances →
With dark comedic wit and incredibly fun characters, Stockholm not only boasters one of Ethan Hawke’s best performances, but an interesting look at, possibly, the origins of Stockholm syndrome. Based… Read more Stockholm Review: A perfect showing of an absurdly true story →
Blumhouse dropped an April Fool’s surprise on Netflix in the form of a new horror flick, Mercy Black, but the surprise ends up being lackluster as the film’s clear inspirations… Read more Mercy Black Review: Blumhouse’s surprise ends up being a big disappointment →
Get Out was not only a huge cultural hit when it came out back in 2017 but put Jordan Peele on the map as new name to watch out for… Read more Us Review: Nyong’o and Duke are standouts in Peele’s new unnerving nightmare →
Blumhouse shook up the horror genre with countless hits that may be made on a shoe-string budget but has more than made up for it with intriguing concepts and a… Read more Happy Death Day 2 U Review: An excellent sequel that delivers things fans didn’t even know they wanted →
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