In a growing and expanding action genre, The Protégé simply tries to ride on the basic formula to provide solid, but nothing special thrills. The film follows Anna (Maggie Q),… Read more The Protégé Review: A far cry from mastering the action genre →
Throughout this year, Sony has been pushing its animated features off to Netflix in order to survive the ongoing Covid-19 pandemic, but it hasn’t been the most beneficial. Thus far,… Read more Vivo Review: A hidden Lin-Manuel Miranda musical animated adventure gem…on Netflix →
Right from when I first heard about Free Guy’s premise of an NPC, which is basically a background character in a video game, breaking out of its mold to be… Read more Free Guy Review: A fun, but overstuffed comedy adventure →
Audiences have seen actor Nicolas Cage delve into Lovecraftian horror with Color Out of Space and some wild horror premises with films like Mandy and Willy’s Wonderland lately, but his… Read more Pig Review: Cage delivers career-best performance in an unexpected emotional journey →
It’s nothing short of a miracle that DC’s latest venture onto the big screen, The Suicide Squad, rights two wrongs in recent history. When David Ayer’s Suicide Squad was released… Read more The Suicide Squad (2021) Review: DC finds redemption in Gunn’s career-defining take →
Outside of Pirates of the Caribbean, Disney has failed to create successful film franchises based off their theme park rides. Their latest attempt, a film based on the Jungle Cruise… Read more Jungle Cruise Review: Initial smooth sailing heads into rough waters →
Netflix’s Fear Street delves into to the origins of its central curse with its final installment, 1666, to deliver some blood-soaked puritan horrors and bring its story full circle. The… Read more Netflix’s Fear Street (Part 3) 1666 Review →
M. Night Shyamalan continues his visionary resurgence with his latest original thriller, Old, that delves into the horrors of aging and life suddenly creeping up on you. It’s no secret… Read more Old Review: A horrifying thriller that’s one of Shyamalan’s best →
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