Once being told in a LucasArts video game and John Preston’s 2007 novel of the same name, director Simon Stone takes his own stab at reimagining the events of the… Read more The Dig Review: A dredge of dull and unremarkable discovery →
The newest film from Phylidia Lloyd, director of The Iron Lady and Mamma Mia!, is a rise from the ashes of abuse story full of emotional empowerment and personal triumph.… Read more Herself Review: A soul-affirming and triumphant story of rebuilding from the ashes of abuse →
The latest from director John Lee Hancock, best known for The Blindside and The Highwaymen, and the first film in Warner Bros.’ big theatrical and streaming same day lineup is… Read more The Little Things Review: Great performances and an intriguing personal narrative outweigh familiarity and underwhelming thrills →
The latest DC animated film, Batman: Soul of the Dragon, doesn’t end up feeling like another strong outing for the caped crusader or an interesting introduction to lesser-known DC figure… Read more Batman: Soul of the Dragon Review: A stylistic, but soulless DC animated outing →
As an actress, Regina King has earned wide-acclaim for over 20 years and even earned a well-deserved Oscar back in 2019 for her stellar performance in If Beale Street Could… Read more One Night in Miami Review: An all-around powerhouse of directing, acting, and dialogue →
The directorial debut of Alex McAulay, Don’t Tell a Soul, is a bare-knuckled, grisly thriller about dominant masculinity and keeping secrets that goes a little too far. The film follows… Read more Don’t Tell a Soul Review: A nail-biting thriller that just doesn’t stick the landing →
The newest film from director Kornel Mundruczo, Pieces of a Woman, brings viewers on an emotional journey through grief and heartache that’s elevated through a powerful central performance from Vanessa… Read more Pieces of a Woman Review: A devastating look into sudden tragedy headlined by an award-worthy performance from Vanessa Kirby →
Tapping into a style not seen in nearly a decade by writer/director Robert Rodriguez, We Can Be Heroes is sort of that spiritual successor for Rodriguez’s more family-friendly stints like… Read more We Can Be Heroes Review: A mostly worthy Spy Kids/Sharkboy and Lavagirl successor →