When seeing the lineup for this year’s Studio Ghibli Fest, I was more than excited to see one of my personal favorites, Howl’s Moving Castle, kicking off this year’s series.… Read more Howl’s Moving Castle Review: A true timeless classic and one of Miyazaki’s best →
Remaking cinema classic can be a tricky road to navigate as it has the dual task of impressing old fans by giving them clever homages and moments that harken back… Read more Pet Sematary Review: Great performances, true creepiness, and fresh updates make up for a lack of scares →
Anime has always been a tricky medium for me to navigate through. In my personal experience, there is very little middle ground in animes that I enjoy, and I end… Read more Made in Abyss: Journey’s Dawn Review: A recap for the series I won’t be going back for any more →
Looking through the movies I’ve seen so far in 2019, I have to say that things have gone pretty well so far. There have been plenty of movies that have… Read more Disney’s Dominating 2019: Do they deserve your attention? →
Get Out was not only a huge cultural hit when it came out back in 2017 but put Jordan Peele on the map as new name to watch out for… Read more Us Review: Nyong’o and Duke are standouts in Peele’s new unnerving nightmare →
Nickelodeon’s new animated film, Wonder Park, has no substance and moves about as fast as rollercoaster and is about as flat as lazy river. The film follows June (Brianna Denski),… Read more Wonder Park Review: The only real wonder was how this made it to theaters →
Touching on themes on masculinity and redemption, The Mustang highlights a standout performance from Matthias Schoenaerts as well as a deep connection between man and animal. The film follows a… Read more The Mustang Review: Schoenaerts is a standout in a film about horses and redemption →
With a dark wit and outstanding performances, The Hummingbird Project is a true battle of David and Goliath—in the world of financial trading. The film follows cousins Vincent (Jessie Eisenberg)… Read more The Hummingbird Project Review: Eisenberg and Skarsgard shine in dark dramedy →
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