*This Review Contains Full Spoilers* Hawkeye’s finale unleashes pretty much everything that its teased and talked about to give fans an action-packed present right in time for the holidays. First… Read more Marvel’s Hawkeye: So This is Christmas? (Season Finale) Review →
Marvel has delivered plenty of tv shows this year that have expanded the MCU on the smaller screen, but there was one show that released that was unlike anything else… Read more Marvel’s M.O.D.O.K. Review: A different slice of Marvel villainy that’s incredibly fun →
Ever since making his MCU debut back in Captain America: Civil War, Spider-Man has been treated like a secondary character – which is strange considering he’s likely more popular than… Read more Spider-Man: No Way Home (Spoiler-Free) Review →
Steven Spielberg is truly a jack of all trades director that’s been able to turn just about anything into a must-see blockbuster. Spielberg’s done big war epics, turned book adaptations… Read more West Side Story Review: Spielberg’s take is a heartfelt homage to the timelessness of love and tragedy →
*This Review Contains Full Spoilers* Hawkeye finally digs deep into some of its looming questions as there’s a heart to heart between two young heroines that widens the perspectives of… Read more Marvel’s Hawkeye: Ronin (Episode 5) Review →
The newest show from Channel Zero alums, writer Lenore Zion and showrunner Nick Antosca, is an adaptation of Todd Grimson’s 1996 novel Brand New Cherry Flavor that delivers mind-bending horrors… Read more Brand New Cherry Flavor Review: A mind-bending delight for horror fans →
After missing out on both of Mike Flanagan’s Haunting series on Netflix, I absolutely vowed to check out his new series Midnight Mass because he’s truly a one-of-a-kind force in… Read more Netflix’s Midnight Mass Review: Always have faith in Flanagan →
As a huge fan of Saw and a major appreciator of The Conjuring universe’s impact on the horror genre, it’s been immensely fulfilling see director James Wan breakout of the… Read more Malignant Review: Wan’s take on giallo is the best horror movie of the year →