Netflix’s Fear Street delves into to the origins of its central curse with its final installment, 1666, to deliver some blood-soaked puritan horrors and bring its story full circle. The… Read more Netflix’s Fear Street (Part 3) 1666 Review →
With its second entry, 1978, Netflix’s Fear Street film series takes viewers into a summer camp slasher to peel back more layers on its central mystery and spill blood every… Read more Netflix’s Fear Street (Part 2) 1978 Review →
Netflix’s biggest summer movie event, a time-spanning adaptation of R.L. Stine’s Fear Street, showcases the immense potential it has to be a horror trilogy for the ages with its first… Read more Netflix’s Fear Street (Part One): 1994 Review →
When looking at who directed the latest flick starring action star Liam Neeson, The Ice Road, it was actually interesting to see Jonathan Hensleigh listed as both director and writer… Read more The Ice Road Review: Netflix and Neeson’s latest is not a worthy watch →
Ricky Staub’s feature directorial debut, Concrete Cowboy, was a big festival favorite that’s now made its way to Netflix to give the platform a coming-of-age story that spotlights a deteriorating… Read more Concrete Cowboy Review: An excellently acted coming-of-age story that explores a struggling community →
The latest film from High Tension and Crawl director Alexandre Aja, Oxygen, is a very methodically told sci-fi thriller with claustrophobic intensity. The film instantly delivers that traumatic fear of… Read more Oxygen Review: One of the strongest and most intense sci-fi thrillers to date →
Director Joe Wright’s newest film, an adaptation of pseudonymous author A.J. Finn’s 2018 novel The Woman in the Window, is an utter mess. The film instantly gives off Rear Window… Read more The Woman in the Window: A bland Rear Window wannabe →
Netflix’s acclaimed animated series Love, Death & Robots returns for another volume of mesmerizing, mind-bending tales centered around its three titular themes. When this series first debuted back in 2019,… Read more Netflix’s Love, Death & Robots: Volume II Review →
