*This Review Contains Full Spoilers* Marvel’s What If…? finally tackles a story that isn’t centered around switching character roles and delivers something uniquely conceptualized with “What If…the World Lost its… Read more Marvel’s What If…?: What If…the World Lost its Mightiest Heroes (Episode 3) Review →
In a growing and expanding action genre, The Protégé simply tries to ride on the basic formula to provide solid, but nothing special thrills. The film follows Anna (Maggie Q),… Read more The Protégé Review: A far cry from mastering the action genre →
The sequel to the 2017 hit, The Hitman’s Bodyguard, is a perfectly funny follow-up largely in part to the amazing chemistry of its leading trio. Not too long after the… Read more The Hitman’s Wife’s Bodyguard Review: A sequel’s falts made up through consistent laughs →
The newest entry in the Saw series, Spiral: From the Book of Saw, is unable to fully subvert itself from the series’ trappings and takes one too many pages from… Read more Spiral: From the Book of Saw Review: A bland copycat →
There’s really no one else out there like Quentin Tarantino. From the way he creates fascinating characters and stories to the way he constantly captures the attention of viewers. he’s… Read more Delving Into Tarantino’s Top Scenes →
Being a sequel and having to live-up to and improve on the previous film(s) is pretty hard work in itself, but Spider-Man: Far From Home had the even tougher task… Read more Spider-Man: Far From Home Review: Spidey’s global outing is far from great →
While Shaft might boast some fun action sequences and comedic moments, as well as the return of Samuel L. Jackson and Richard Roundtree to the titular role, it also shows… Read more Shaft Review: Jackson’s still great in a truly out of touch sequel. →
In her feature directorial debut, Brie Larson comes together with writer Samantha McIntyre to create an experience that invigorates child-like wonder in its viewers and relays some timeless messages that… Read more Unicorn Store Review: Larson’s feature directorial debut is a relatably whimsical must-watch →