The wait for Nintendo’s first batch of 2024 announcements is finally over as the publisher delivered a Nintendo Direct Partner Showcase this morning. The roughly 25-minute event showed trailers for… Read more The biggest announcements from Nintendo’s Partner Showcase (2/21/24) →
After rumors spread across the internet about Xbox potentially bringing their first-party games to PlayStation and Nintendo platforms, the conversation around the publisher has been filled with discourse. From fans… Read more The biggest takeaways from Xbox’s “Business Update” →
Despite PlayStation having virtually no first-party games definitively releasing in 2024 currently, they’re already off to a great start thanks to an unexpected gem. Arrowhead Game Studios’ co-op shooter Helldivers… Read more Helldivers 2 could change the game for PlayStation’s PC releases →
We’re only a few weeks into 2024 and there’s already a new game taking the world by storm – Palworld. The game – developed by Pocketpair Inc. – lets players… Read more How Palworld can maintain its success for years to come →
Last year, Xbox delivered the first Developer_Direct – which took fans around the globe to see what different first-party studios were up to. There, we got glimpses at games like… Read more The biggest takeaways from Xbox’s 2024 Developer_Direct →
Played on: PS5 (Original) Difficulty: N/A It’s been quite some time since Spongebob fans have gotten a game for the beloved Nickelodeon cartoon akin to Battle for Bikini Bottom. But… Read more Spongebob Squarepants: The Cosmic Shake Review →
Played On: Nintendo Switch (Original) Difficulty: N/A Nintendo has finally brought the beloved Nintendo Sports franchise back for Switch with Nintendo Switch Sports and it’s exactly the kind of vamped… Read more Nintendo Switch Sports Review: Slightly hollow, but mostly fun →
Played on: PS5 (Original) Difficulty: Normal Ghostwire: Tokyo is a game that could only come from a studio like Tango Gameworks, the developer behind The Evil Within series, as it… Read more Ghostwire: Tokyo Review: Style over substance isn’t always a bad thing →
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