With an intriguing premise and standout performances, BH Tilt lets loose another strong hit for Blumhouse with the release of writer/director Jacob Estes’ Don’t Let Go. The film follows Jack… Read more Don’t Let Go Review: A mind-bending new entry from BH Tilt →
On this week’s episode of The Terror: Infamy, Gaman, we see how the group is adjusting to life in the new camp, Yuko (Kiki Sukezane) sets her sights on Hideo… Read more The Terror: Infamy – Gaman Review →
This week’s episode of The Terror: Infamy, All the Demons Are Still in Hell, touches on more of the real horrors that the Japanese faced in internment camps as Yuko’s… Read more The Terror: Infamy – All the Demons Are Still in Hell Review →
Being from New Jersey, there’s no musician that’s more heavily identified with the state than “The Boss” himself – Bruce Springsteen. Through his charismatic voice and lyrics that have always… Read more Blinded by the Light Review: An inspirational and ambitious ode to “The Boss” →
Highly regarded as one of the most intricate and thrilling Batman stories ever told, Batman: Hush has always been a fan-favorite – as well as a favorite of mine. Personally,… Read more Batman: Hush Review: A hollow adaptation of iconic Batman story arc →
Although The Kitchen, an adaptation of the comic series from DC/Vertigo, has plenty of strong talent behind it, their talent is sucked completely dry through a mediocre script and characters… Read more The Kitchen Review: Fresh talents turns rotten in this messy comic book adaptation →
Although he might be coming off of the hot mess known as The Cloverfield Paradox, writer/director Julius Onah not only completely redeems himself with this newest film Luce, but creates… Read more Luce Review: Onah’s socially aware thriller is thought-provoking, gripping, and never holds back →
Coming off her hit horror debut, The Babadook, writer/director Jennifer Kent sophomore effort is a grisly revenge tale with more female perspective, stellar performances, and slow-burning suspense. The film, set… Read more The Nightingale Review: Kent’s sophomore outing gives a fresh, new perspective on revenge →
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