With an intriguing premise and standout performances, BH Tilt lets loose another strong hit for Blumhouse with the release of writer/director Jacob Estes’ Don’t Let Go. The film follows Jack… Read more Don’t Let Go Review: A mind-bending new entry from BH Tilt →
Played On: PS4 (Original) Difficulty: N/A Erica is the newest FMV “Choose Your Own Adventure” game/interactive film from London Studios to hit PlayStation after it was surprisingly dropped during Gamescom… Read more Erica Review: In its attempts to set new standards for “choose your own adventure” storytelling, Erica ends up being just standard →
On this week’s episode of The Terror: Infamy, Gaman, we see how the group is adjusting to life in the new camp, Yuko (Kiki Sukezane) sets her sights on Hideo… Read more The Terror: Infamy – Gaman Review →
With a sadistically fun sense of humor and thrilling twists and turns, Ready or Not is horror/comedy at its finest and game that’s too good to resist. The film follows… Read more Ready or Not Review: The horror/comedy you should be seeking →
Ah, here we are again with another horror movie where sharks smell blood in the water and hunt down every human they see. At least, that’s how these movies make… Read more 47 Meters Down: Uncaged Review: Stay out of the water – cause it sucks →
Putting a horror spin on a Hanna-Barbara, The Banana Splits Movie offers a gory good time and some funny moments, but viewers will be left split if the viewing was… Read more The Banana Splits Movie Review: This horror spin on a Hanna-Barbera classic will leave viewers split →
This week’s episode of The Terror: Infamy, All the Demons Are Still in Hell, touches on more of the real horrors that the Japanese faced in internment camps as Yuko’s… Read more The Terror: Infamy – All the Demons Are Still in Hell Review →
Coming off her hit horror debut, The Babadook, writer/director Jennifer Kent sophomore effort is a grisly revenge tale with more female perspective, stellar performances, and slow-burning suspense. The film, set… Read more The Nightingale Review: Kent’s sophomore outing gives a fresh, new perspective on revenge →
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