Dear Evan Hansen was one of those breakout musicals that you knew what going to try to make the jump to the big screen eventually, and its movie adaptation shows… Read more Dear Evan Hansen Review: A musical that doesn’t belong on the big screen →
Ricky Staub’s feature directorial debut, Concrete Cowboy, was a big festival favorite that’s now made its way to Netflix to give the platform a coming-of-age story that spotlights a deteriorating… Read more Concrete Cowboy Review: An excellently acted coming-of-age story that explores a struggling community →
Last year, Netflix added their own terrible take on a Hallmark Channel movie with Dangerous Lies and this year they add their own version of Disney Channel Original Movie with… Read more Netflix’s A Week Away Review: A faith-based musical not worth putting any faith in →
Although it contains a heartwarming concept and two leads that are truly rising stars, The Ultimate Playlist of Noise doesn’t live up to its potential. When I first came across… Read more The Ultimate Playlist of Noise Review: Unremarkable and unambitious YA coming of age fodder →
The directorial debut of Alex McAulay, Don’t Tell a Soul, is a bare-knuckled, grisly thriller about dominant masculinity and keeping secrets that goes a little too far. The film follows… Read more Don’t Tell a Soul Review: A nail-biting thriller that just doesn’t stick the landing →
*This Review Contains Full Spoilers* On the season finale of HBO’s We Are Who We Are, Right Here, Right Now #8 and Last, Fraser (Jack Dylan Grazer) and Cate (Jordan… Read more HBO’s We Are Who We Are: Season Finale Review →
*This Review Contains Full Spoilers* On this week’s episode of HBO’s We Are Who We Are, Right Here, Right Now #7, grief and despair consumes and send the base into… Read more HBO’s We Are Who We Are: Right Here, Right Now #7 (Episode 7) Review →
Back before theaters had closed down due to the ongoing COVID-19 pandemic, one of the last trailers that I saw was for Charm City Kings – a coming of age… Read more Charm City Kings Review: A finely tuned coming of age thriller with all the right parts →
