Although it contains a heartwarming concept and two leads that are truly rising stars, The Ultimate Playlist of Noise doesn’t live up to its potential. When I first came across… Read more The Ultimate Playlist of Noise Review: Unremarkable and unambitious YA coming of age fodder →
The directorial debut of Alex McAulay, Don’t Tell a Soul, is a bare-knuckled, grisly thriller about dominant masculinity and keeping secrets that goes a little too far. The film follows… Read more Don’t Tell a Soul Review: A nail-biting thriller that just doesn’t stick the landing →
*This Review Contains Full Spoilers* On the season finale of HBO’s We Are Who We Are, Right Here, Right Now #8 and Last, Fraser (Jack Dylan Grazer) and Cate (Jordan… Read more HBO’s We Are Who We Are: Season Finale Review →
*This Review Contains Full Spoilers* On this week’s episode of HBO’s We Are Who We Are, Right Here, Right Now #7, grief and despair consumes and send the base into… Read more HBO’s We Are Who We Are: Right Here, Right Now #7 (Episode 7) Review →
Back before theaters had closed down due to the ongoing COVID-19 pandemic, one of the last trailers that I saw was for Charm City Kings – a coming of age… Read more Charm City Kings Review: A finely tuned coming of age thriller with all the right parts →
With there being growing conflicts with the U.S. and escalating tension causing strained relationship as election day grows nearer, honestly, I’ve been craving a pick me up comedy to give… Read more Spontaneous Review: An explosively heartwarming and hilarious love story →
*This Review Contains Full Spoilers* On this week’s episode of HBO’s We Are Who We Are, Right Here, Right Now #5, big changes start to form as Caitlin (Jordan Kristine… Read more HBO’s We Are Who We Are: Right Here, Right Now #5 (Episode 5) Review →
*This Review Contains Full Spoilers* On this week’s episode of HBO’s We Are Who We Are, Right Here, Right Now #4, the group comes together for Craig (Corey Knight) as… Read more HBO’s We Are Who We Are: Right Here, Right Now #4 (Episode 4) Review →