Earlier this year, director Josh Reuben (Werewolves Within) and co-writer/producer Christopher Landon (Happy Death Day) delivered Heart Eyes, a Valentine’s Day slasher that mixes comedy, romance, and horror. But unfortunately,… Read more Heart Eyes Review: A Valentine’s Day slasher that doesn’t find its footing →
After delivering an incredibly terrifying and intriguing modern take on The Invisible Man back in 2020, the anticipation among horror fans to see writer/director Leigh Whannell take on The Wolfman… Read more Wolfman Review: Whannell’s modern Wolfman movie is underwhelming →
Blumhouse, who’s known for delivering horror hits, found a potential golden goose back in 2022 with M3GAN. Through the hilarity and oddly terrifying nature of its titular antagonist, the film… Read more M3GAN 2.0 Review: A bizarre fumble by Blumhouse →
For a lot of feature directorial debuts, we often see directors try to make their mark by tackling a fresh perspective or establish a distinct style to instantly set themselves… Read more Good Boy Review: Indy the dog leads a standout horror flick →
After The Conjuring Universe’s impressive nine film stretch, Ed (Patrick Wilson) and Lorraine (Vera Farmiga) Warren’s arc finally (possibly) comes to an end with The Conjuring: Last Rites. Unfortunately, this… Read more The Conjuring: Last Rites Review →
Director Renny Harlin’s reboot of The Strangers, The Strangers: Chapter 1, might’ve been one of the worst horror movies of last year. It’s basically a remarkably bland remake of the… Read more The Strangers: Chapter 2 Review →
The announcement of Jordan Peele producing director Justin Tipping’s new sports-horror film Him was incredibly exciting because it features a genre collision so rare, its presence is like a special… Read more Him Review: Sports-horror that’s far from being the GOAT →
Remember in Cabin in the Woods when a unicorn stabbed a man to death with its horn during the film’s insane final act? While it was a memorable showing of… Read more Death of a Unicorn Review: Fun creature feature antics are weighed down by crummy satire →
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