The latest from director Mark Mylod, The Menu, offers a delicious slice of dark comedy with some hilarious jabs at avant-garde culinary and class that audiences can easily savor. The… Read more The Menu Review: A delectable and savory mix of horror thrills and darkly comedic satire →
Although it came just in time for Halloween, Prey for the Devil isn’t much of a treat for horror fans as it can’t make the best use of its unique… Read more Prey for the Devil Review: A hollow possession story →
Olivia Wilde caught fire as a director with her 2019 breakout comedy Booksmart but veers out of comedy and more into psychological thrills with her latest film, Don’t Worry Darling,… Read more Don’t Worry Darling Review: A disappointing follow-up from Wilde that falls apart in its final stretch →
While Fall might eventually fall into typical tropes of survival movies and puts viewers into a pitfall of annoying characters, it can present a cool premise and an immersive environment.… Read more Fall Review: Shows potential but eventually falls apart →
The Predator franchise has mainly stayed afloat through the popularity of its titular alien hunter and the often-brutal kills they deliver, but director Dan Trachtenberg brings a new vision and… Read more Prey Review: Predator returns to survival horror with a strong story →
Rebecca Hall continues to be an acting force to be reckoned with in her latest nerve-shredder performance in Andrew Semans’ Resurrection. The film follows a woman named Margaret (Hall) as… Read more Resurrection Review: Hall instills thrills and chills in another can’t miss performance →
Given how many bad Resident Evil adaptations there have been, we should honestly start labeling it as “unadaptable” because it seems cursed. Paul W.S. Anderson’s movies traded the horror and… Read more Netflix’s Resident Evil Review: Fans deserve better →
Jordan Peele’s first two films, Get Out and Us, showed Peele as a rising force in the horror genre through his ability to craft unique horror stories while mixing in… Read more Nope Review: Peele’s big summer spectacle cements his title as a modern master of suspesne →